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As products of Conservative congregations, religious schools, Ramah camps, LTF, USY, and the Seminary, we feel this tension acutely.We are deeply committed to Judaism, but cannot find adequate expression for our total needs and concerns in existing women’s social and charitable organizations, such as Sisterhood, Hadassah, etc.No.4 arranged from the 5 Songs Without Words, Op.35. No.6 arranged from the 4th movement of the Sinfonietta, Op.48. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968).Extracts re-used in the Waltz Suite, Op.110, and No.1 of the 3 Pieces, Op.95. This work may be subject to the copyright term of the director Albert (Aleksandr) Gendlstein (1906–1981).It performed the functions of a transit trade seaside centre on the south of Eastern Europe, the byzantine fortress on the border with the barbarian world, the residence of governor of the theme and archbishop of Bosporus. The article provides an overview of the main events of the political and administrative history of the Bosporus in the studied period. I have read this post and if I could I wish to suggest you few interesting things or suggestions. It’s appropriate time to make some plans for the future and it is time to be happy.

Extracts used in Op.33bis and Op.33ter, and Cinderella (3rd suite), Op.109.

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The French translation is subject to the copyright term for translator Vera Janacopoulos (1896–1956).

Nos.1, 2 and 3 arranged from the ballet The Prodigal Son, Op.46.